Euphonix Hyper-Surround is a software interface which provides high
resolution pan controls including front and rear pan, focus,
divergence, and surround for any assigned fader across any format.
Hyper-Surround is an innovative and powerful surround panning and
routing system that supports all the main formats, including mono,
stereo, LCR, LCRS, Dolby-Digital®, DTS®, HDTV, SDDS® and many
others, plus customized formats used in theater and multi-media
event spaces. Unique to Euphonix is the ability to simultaneously
mix to several different format stems while maintaining identical
imaging between different playback formats.
Defining and Selecting a Stem
The optional Audio Cube allows from 4 to 48 multi-format buses to
be added to any Euphonix system. For example, suppose there are 32
multi-format buses available. The software allows these to be divided
between assignable aux sends and surround mix/record buses. If 8
assignable aux sends are required, this
leaves 24 buses available to the Hyper-
Surround software. Once the number of
buses has been defined, the format for
each panner, or stem, is selected from a
list of standard surround formats shown on
the setup screen. With 24 buses we can
configure combinations such as:
• 4 split surround 5.1 stems
• 4 LCRS stems and 4 stereo stems
• 2 LCRS stems, 2 LCR stems, 4 stereo
stems and 2 mono stems
Stems may be assigned in any bus order,
so buses 1-5 could be LCRSrSl and bus 24
could be the subwoofer channel of that
stem. Up to 16 different stems may be
configured, named and saved with the
Title. Keys beneath the DSC’s rotary
controls allow the fader to route to any
combination of the stems, either to a
single stem or to multiple stems simultaneously, each with its
correct panning and imaging laws. When adjusting the image
position of a sound that is assigned to more than one format stem
Hyper-Surround automatically calculates the correct move for each
stem to maintain correct imaging across all formats! Discrete stereo,
LCRS, and 5.1 channel mixes can be created simultaneously saving
hours of studio time, and providing more consistent quality to a
multi-format project.
Panning the signal
Panning and stem selection are carried out from the DSC’s rotary
controls and buttons which map up to the active matrix color
screen. The screen shows bus audio and power levels, a special
diagram of each stem and controls for pan, surround and focus. This
interface makes it very simple to move from pan, to EQ, to dynamics
control all from the centrally located ‘sweet spot’.
Hyper-Surround Panning
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